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Science 23 March 1984:
Vol. 223. no. 4642, pp. 1306 - 1309
DOI: 10.1126/science.223.4642.1306

Articles

People with Absolute Pitch Process Tones Without Producing a P300

MARK KLEIN 1, MICHAEL G. H. COLES 1, and EMANUEL DONCHIN 1

1 Department of Psychology, University of Illinois, Champaign 61820

The P300 is a positive-going component of the event-related potential. In subjects with absolute, or "perfect," pitch, the P300 elicited by the less frequent of two auditory probes is small or absent. In these subjects, visual probes elicit a normal P300. These results support the view of P300 as a manifestation of the updating of working memory.

Submitted on October 18, 1983
Accepted on October 28, 1983


THIS ARTICLE HAS BEEN CITED BY OTHER ARTICLES:
Conditional Associative Memory for Musical Stimuli in Nonmusicians: Implications for Absolute Pitch.
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J. Neurosci. 25, 7718-7723
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Electrophysiological Correlates of Absolute Pitch and Relative Pitch.
K. Itoh, S. Suwazono, H. Arao, K. Miyazaki, and T. Nakada (2005)
Cereb Cortex 15, 760-769
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The Development of Absolute Pitch: A Theory Concerning the Roles of Music Training at an Early Developmental Age and Individual Cognitive Style.
C. S. Chin (2003)
Psychology of Music 31, 155-171
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Functional anatomy of musical processing in listeners with absolute pitch and relative pitch.
R. J. Zatorre, D. W. Perry, C. A. Beckett, C. F. Westbury, and A. C. Evans (1998)
PNAS 95, 3172-3177
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In vivo evidence of structural brain asymmetry in musicians.
G Schlaug, L Jancke, Y Huang, and H Steinmetz (1995)
Science 267, 699-701
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